Respected Swamiji and all Vaisnavas,
Nityananda! Gauranga! Hare Krishna!
Jaya Visnupada Srila Prabhupada!
Jaya Visnupada Swami Gaurangpada!
All glories to the guru parampara!
All glories to the Vaisnavas!
First please forgive me if I have committed an offense of any sort. Once again I ask you to forgive me and not hold any misigivings with me but please answer my doubts. I have no intention to challenge. But at the same time you must clear the demon of doubt and misgiving that has always been with me because I personally try to seek only the perfect things as far as devotion is concerned and I have had a habit of going to great pains to verify the authenticity of just about anything related to spiritual science.
Recently I found an old video of Bhaktisiddhanta Sarasvati where he points to a book in the Caitanya Matha lasting for 32 seconds. While it is certainly Srila Bhaktisiddhanta Sarasvati Prabhupada in the video, I doubt the authenticity of the video. For several reasons I feel that the video has been made with computer graphics based on an older picture of Siddhanta Sarasvati. It is claimed that the video is 80 years old but Siddhanta Sarasvati's photo was taken sometime in the 1930s not the 1920s because he appears much older.
Some people have denied that it is Bhaktisiddhanta Sarasvati in the video. They are certainly wrong, it is him. But it is CG rendered by using a photograph of his. Perhaps it gives us a very good feeling as to how he would have been while he was personally present and active on this planet
I pray that I have not committed an offense.
Note : Please forgive me as the video contains some very cocky humour. Respected Swamiji and vaisnavas, I personally request you not to have this posted until the truth has been verified and original the analysis videos have been seen fully.
Here is the link to the video http://www.youtube.com/watch?v=hYE9sWzXwWU
And a video analysis conducted quite recently in 2007 to verify the authenticity
Part 1 :
http://www.youtube.com/watch?v=Y3QEFdaFwfI
Part 2 of the analysis video
http://www.youtube.com/watch?v=wdmV3dEKpbE
After seeing this I had misgivings myself because it seemed quite convincing.
Well I am not sure when or who released the biography, but modern technology has come very very far. These days the external eye cannot distinguish between rendering and CG. A frame by frame analysis has been done on the video, so please bear with me
The Siddhanta Sarasvati in the video and the acarya in the photo are exactly identical, but the proportions of their face do not match. In the photo his face is larger than in the video. With editing software one can change the proportion
Old films wear down with age and acquire certain irregularities in their structure which gives the impression of the old day black and white technology. But in a 32 second video of over 700-800 films, no two frames can wear down in the exact same manner.
These days there are software algorithms that can generate patterns to mimic the irregularities in old films. The trick is seen when ever the video shifts from one scene to another, where the programmer has to reinvoke the function, causing the same sequence of algorithms to repeat. Maybe 3-4 frames can age in the same way, but 5-6 pairs of identical wear is impossible that too in every possible scene shift.
Not only that, the video also shows an elliptical border or a halo where only the central portion is clear surrounded by blackness. Irregular spread of lighting cannot be taken as the cause as by no means can such a perfect boundary be generated. This effect can be mimicked with software
Further the caitanya Math building imagery is not 70 years old, it has been taken in 2006 because its background remains unchanged for 70-80 years (??)
Morever the scene where he raises his hand is repeated twice before he points to a book. The two frames can be superimposed over each other because they have identical hand and mouth movements. Further the same software irregularities can be seen indicating copy pasting.
Aspiring to be your servant
Maha Mudho'smi,
Srinath
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