Saturday, November 29, 2008
Re: What Nadiya Nagari bhava?
Nityananad! Gauranga! Hare Krsna!
Dear Swami Gaurangapada, please accept my humble obiesances.
Srinath: I understand it now
Swami: A devotee can have all different types of feelings for Lord Gauranga, who is more beautiful than millions of Cupids, how can anyone stop that? But if that devotee expects that Lord Gaura will reciprocate with him or her in that conjugal way like Lord Krishna does with the Gopies by embracing them in intimate conjugal relationships or tries to see the pure relationship of Shri Shri Gaura Gadadhara is such a distorted way, then that becomes a deviation known as Gauranga Nagari or Nadiya Nagari.
Thank you for posting the above transcript. I was reading Nityananda Gauranga Daily Pastimes Book last week, and noticed the exquisite descriptions of Sri Gauranga by Sril Krishnadasa. And was wondering what bhava he was feeling toward Lord Gauranga.
Shrila Krishnadasa (Disciple of Shrila Visvanatha Chakravartipada):
At the end of the night Lord Gauranga lies upon a nice bed under the spell of sleep. There is no person alive who could behold such splendor and retain his life-breath.
At the end of the night Gauranga-chanda is in His sleeping chamber. His limbs twinkle as cupid churns His mind. The golden bedstead is inlaid with solid coral and is decorated with pillows covered with pure white cloth. The nicely-colored silk is secured by cords in four corners and the jeweled tassels emit pinkish rays in all directions. Tall,strong golden posts grace the four corners supporting the expansive canopy hanging overhead.
Swinging from all edges are long strands of very tiny pearls which appear like the celestial river flowing down from the heavens. The bedstead appears just like the nicely-formed pear of Mt.Kailasa While he splendrous bolsters appear like balls of fresh cream.
Covering the mattress is pure white silk in the middle of which slumbers Gauranga Dvija-mani the jewel of the twice-born brahmanas. His long limbs put to shame the luster of molten gold while overwhelmed with the moods of lazy lounging He rolled over until He was lying on His stomach. The upward lines pf His beautilul tilak shine with the splendor of sandalwood paste .
Around His face the dots of kunkum and musk are enchanting. Jewelled earrings rest against His glistening cheeks while the arch of His eyebrows conquers the arrows of Cupid. Attempting to find a suitable comparison for the splendor of Gauranga's closed eyes even the Creator with all his skills of supremely refined craftsmanship is baffled to the utmost extent of his imagination.
I can understand that Kamadeva has vanished in fear of the crooked arch of Gauranga's eyebrows; becoming bodiless, Cupid is therefore called Ananga.
Who has created this form of Lord Gauranga's? It is like Cupid's net for ensnaring the innocent deer that are the hearts of chaste girls. His two lotuslike eyes are closed in repose. His thick black eyelashes are motionless. His splendidly-colored lips defeat the hue of bimba-fruits while His slightly smiling mouth enraptures the universe.
His broad chest is beautified by numerous necklaces and His arms extending to His knees are very muscular. His arms are adorned with bracelets of nine jewels and His divine form is beautified with thick patches of sandalwood paste. His hips are wrapped with very fine white cloth while His upper body is partially covered with a splendrous cloth the border of which is woven in ornate golden flowers. His thin brahmana thread is visible there, supremely pure and white. The palms of His hands are reddish like blooming water-lotuses and the sparkling auras of His finger-rings destroy darkness all around.
The nicely-constructed golden temple is pervaded with happiness. On the four sides are four bejeweled terraces with gazebos. On top of the temple are flags and golden jugs and strands of pearls so large that they look like full moons. Both sides of the temple are beautified by eight crystal pillars supporting rows of swan formed of silver.
In four directions are four gates that are studded with jewels and inlaid here and there with emerald. The golden doors shine with their solid coral bolts and crystal cornices glitter like rows of candles. Ranks of huge mirrors are fixed on the walls
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